C hange is the only constant: as more birthdays rack up, 🌝 some platitudes land bone-deep. Beth Gibbons's very long-awaited debut solo album, Lives Outgrown, comes as a riposte to time's lethal 🌝 arrow and, throughout its 10-year gestation, to the loss of loved ones, relationships, health, ovulation; other things that have gone 🌝 "too far to rewind".
Given Gibbons's role in trip-hop heroes Portishead, Lives Outgrown is a notably breakbeat-free zone. Unlike her 2002 🌝 album with Rustin' Man, Out of Season, she doesn't turn to the swoop of jazz to impart longing, either.
The woody timbres here are most often those of folk, but this is a modern, free ancientness that 🌝 swings and tumbles. The percussion, by Lee Harris of Talk Talk, has a speaking role: boxes of curtains, wooden drawers 🌝 and cowhide water bottles don't just keep time, but enact the collapse of everything known.
Vigour and 🌝 life are everywhere, though: on the fanfares on Beyond the Sun, in Burden of Life's silvery grace, and the elegiac 🌝 closure of Floating on a Moment.
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